Apocalypse Skull-God: The War by Yucheng Tao

I

I see everyone falling beneath the iron flowers,

like monstrous carnivorous plants

shedding poisonous gas across the vast night.

Humans drink bitter wine from their own veins,

collapsing into the perfume of darkness, rotting slowly away.


II

The Skull-God rises from the mad ambition of the greedy,

where serpents from laboratories fuse with alchemy

to birth the skeletal deity.

He commands the latest technologies,

breeding mechanical beasts

that tear apart the fragile dawning light.

I long to gather armies, to summon the people

of our star to aid humankind,

seeking the final Ark hidden beneath Nevada’s desert,

buried in bunkers.

But the flowers of war loom,

the apocalypse arrives,

men are exposed and crawl upon the dust.


III

On our Green-Plant Star,

under the umbrella of endless vines,

we sleep in peace.

The crashing, tumbling oceans of Earth

stir our compassion, and we find the will

to halt the Skull-God’s punishment upon men.

We seek the key behind the Sphinx,

a secret like the mirrored reflections of moon and sun,

a twin-born mystery.


IV

On a night of roaring thunder,

the poisonous flowers and hounds

of the Skull-God chase us down.

But among Earth's people,

they forge walls of human shields,

burning themselves into ashes.

Not even shrouds remain to cover them.

That is their fate.

In my homeland, I had never seen

such brutal darkness —

as if the bloodstained jaws of ancient lion kings,

opened wide before me. In my ears,

the symphony of destruction blares.

Yet still, we search, holding the key to peace, as

the dove of peace flies before my eyes,

toward the luminous road of the future.


Bio

Yucheng Tao is a Chinese poet and the editor of The Argyle Literary Magazine. His work has appeared in Star*Line, Strange Horizons, Specter Realms, White Wall Review, Wild Court, Ink Sweat & Tears, NonBinary Review, and Recours au Poème, and is forthcoming in I-70 Review, North Dakota Quarterly, Poésie Première, and Arpa Poésie. He has twice received an honorary award from the Dark Poet Club Contest.

Author's note

This work is inspired by the early skull-god series. I always like to listen to some metal music, from which I draw inspiration and create a mythological system with skulls and reality to express some imagination and views on the world.