Before They Were Stars by Nicola Geddes

I

Nine months after the night of my only infidelity

(if we can call it that, and no doubt you will)

I birthed two children, each one encased in a smooth egg

I could hardly look at these two stones

two still-born abominations

Exhausted, I pushed them further under my blankets

turned away and slept for many hours


My dreams were vivid

His long white neck weaving itself around mine

his gleaming and pristine feathers

the nibble of his beak at my earlobe

Oh husband, how could I reject him, when I was made mute?

The moment he spread his wings and returned to the sky

I returned to you, found comfort in the familiar bulk of your torso

the earth smell of your skin, the sleepy taste of your lips


As the light faded that late Spring evening

I found both eggs warm beneath my fingers

I pulled them back towards my belly

wrapped my tired body around them and

felt myself softly gladden to the small movements

beneath their glossy shells


I did not wait long

A tapping became a cracking

a cracking became a breaking

a tiny fist crashing through its casing

a hatching became an infant

his eyes opening to reveal

the same startling silver blue as yours, husband

My finger traced a circle on his tiny heaving chest

within it I drew the sign of Mercury

I named him Castor, for his swiftness and strength


The second egg opened with ceremony

its two halves moved apart by a divine force

The child inside unfurled his limbs effortlessly

His olive skin was covered in a soft down

yet he shone with a golden brilliance

My hand hovered above him, but realised

this child needed none of my earthly sorcery

I named him Poly Lux - many lights

The entire cosmos was reflected in his eyes


II


Castor’s cheeks are flushed with fever

I leave him to his mummering sleep

and come to the kitchen, thermometer in hand

where his twin sits, bored without him


I make mushroom soup with red wine and thyme

serve it in deep blue bowls

A dipped spoon looks like a crescent moon

in a dark and stormy sky


Look, Pollux! I will put stars into your soup

I snap this brittle vial

and drop liquid mercury into your bowl

See it shimmer and dance


Of course, you are delighted. It’s alive!

Of course, you eat it, glass shards and all


And what is it, child, to be alive?

This temporal life that holds

everyone you know, even your twin

is conjoined with illness, injury and decay


But of course, not for you


In radiant good health

you remain


III


My husband

I did not lie

they are yours as much

as they are mine


the furrow in between

your eyebrows

deepens


I did not lie


they belong to no one

but themselves


IV


I have a silver bowl

for scrying

within it, the world bends

the constellations roll

and bright stars skim

far across lands and time


I did not teach my sons this art


Not that they mind having a sorcerer

for a mother, rather they believe

they have little need of either magic or mother

And there is some truth in this for Pollux

he needs nothing but Castor

but Castor—his eyes are a different colour


I did not want them to be soldiers


Now I find my visions

clouded by longing

I do not want to be shown

ragged broken skies

dust on grey skin

rubble, the bones of buildings

weapons in my children’s hands


What I want seems so small


In the thin light this morning

my bowl reflects only

a warped mockery

of my own lined face

Fingers tight on the silver rim

I hiss this to darkness within:

Pollux must not return alone


V


The sombre strangers in dark uniform

arrive unannounced, their hats in their hands

I try to not let them

but their words

invade my kitchen, tear

the floor from under my feet


Grief bends the walls

as I crawl under my covers

the hours meld with days

My hands search the crumpled bed

as if reaching

for a still warm egg


VI


The Swan-God arrives

gliding over my distress

his head raised

his long throat exposed in mock offering

I wish him all the ills of the world

I wish for the teeth of a dog


But neither hexer’s tongue

nor hound’s tooth could harm him

Closer he comes

until his feathers fill my mouth

his wings swaddle me

his voice resounds in my ears


Castor and Pollux will not be separated

I will send you a guide in the darkest nights of winter

You will know him by his starry belt

Follow his right foot to his left shoulder

And onward to where you will find your sons


Like a fool, I think he has intervened

and resurrected Castor

Fool, fool! Ready, I am

to search this Earth

believing I have a second chance

to fill my arms with them

a second chance

to love them better


VII


The night skies were overcast for weeks

the waxing-waning moon never

more than an oily smudge

in a rare thinning of cloud

I wait


by the end of darkest January

on a clear hoarfrost night

I locate my astral compass

align my body to his directions


but I do not move


I find my feet unwilling

engaged with the Earth

as if the soles could chart

a different course

in the frozen ground


I close my eyes

I do not know how long

I am still

but a knowing

fills the bones of my feet

and although the night is bitter

it glows warm and certain


it moves

into sinew

into blood

it spreads

and blooms


Bio

Nicola Geddes is a multi-disciplinary artist; poet, musician and teacher. Born in Scotland, she graduated with Honours in Environmental Art at the Glasgow School of Art, and holds a Diploma in Cello Performance from the London College of Music. She is now based in the West of Ireland where she works as a cellist and tutor.

Publications include: The Irish Times, Poetry Ireland Review, Crannóg, Southword, The Galway Review, Crossways, The New Ulster, The Blue Nib, Vox Galvia, Skylight 47 and Poethead, and internationally, on the Extinction Rebellion Global Creative on-line hub, in the Pinch Journal (USA) and The National (Scotland). Her poems have been broadcast on Lyric fm in Ireland and on Swiss national television, and can be found in the anthologies Writing Home (Dedalus Press) and Children of the Nation (Culture Matters) and Tell Me Who We Were Before Life Made Us (3 of Cups Press), Workers Write! (Blue Cubicle Press), and Poems for When you Can’t Find the Words (Irish Hospice Foundation/Poetry Ireland), Fathers, in Fragments (Beyond Words, Germany), and New Feathers 2025 (USA).

Awards include: Special Commendation - Patrick Kavanagh Award 2017, Highly Commended 2018 The Over the Edge New Writer of the Year. In May 2019 she won the Irish Times’ New Irish Writing. Shortlisted for Poems for Patience 2024, 2022 and 2019. Longlisted Frances Browne Competition and runner-up Latin Poetry Prize, 2025.

In late 2024 Nicola was awarded the poetry bursary from Crannóg magazine, and in summer 2025 was Poet in Residence at Brigit’s Garden, Rosscahill, Connemara, working on site-specific works that formed part of their “Poetry Trail” in the gardens.

Author's note

"Before They Were Stars" is based on the Greek myth of Leda, who, after being raped by Zeus in the form of a swan, laid four eggs from which Helen of Troy, Clytemnestra, and the twins Castor and Pollux were hatched. In my version, I omitted two of her illustrious offspring to focus on her relationship with the lesser known twins: Castor, the mortal son of Leda’s husband Tyndareus, and Pollux, who, being a son of Zeus, is immortal. As in the original myth, both are finally immortalised as stars in the constellation of Gemini. Leda’s voice is underrepresented in more traditional tellings of the myth, so I wanted her to express her conflicting emotions around their conception and her role as their lives. At its heart, this a poem about the many dualities and contradictions of motherhood, a timeless theme that is placed here in an ambiguous time frame.