Photo by Jack Baxter on Unsplash

Green Apple Hooks by Patrick W. Marsh

The monster swiveled the bait clockwise

in its jagged, carnivorous shadow,

beneath the cauliflower-orange of the autumn orchard.

The fruit, its jade bark gleaming, supple and shiny,

a waxy mirror off the heavy boughs and branches.

How many times it thought

could this edible peridot draw

a few more visitors who ignore the skeleton stains

lining and glancing out of the scattered leaves,

like a macabre blueprint or schematic.

This tree-stalking butcher is a cloaked nightmare,

standing in a camouflaged hood and an antler crown,

with magic sinew of shadow and starlight

connecting red shoulders and claws

a hungry and breathing nightmare life.

Unhinged from the devil herd,

this man-eater throws two wires into the

cast-off, fire foliage floating between the tree roots.

Two fresh apples on each end are ruinous magnets,

with flesh-greedy hooks and barbs for magnetism.

Winter is lurking on the frosty edge of fall.

The shape knows it must feed its three mouths,

those jawbones sweating across its dark fabric,

until it’s completely long and fueled.

Still those throats and gullets wonder,

after eating so many people,

what do the apples taste like?


Bio

Patrick W. Marsh is a writer from Minneapolis, Minnesota. His work has appeared in Malefica Press, Star*Line, Carmina, Horrific Scribblings, Suburban Witchcraft, Skyway Journal, Zoetic Press, and others. He is the author of the Greenland Diaries series, a screenwriter for the 48 Hour Film Project, and co-creator of the Hidden Oaks Podcast. Though he often writes about tortured ghosts, hungry gods, and haunted castles, Patrick is a relatively nice guy. He has a dog, a wife, kids, and a very specific way he loads the dishwasher. Thank you for taking the time to read his work.

Author's note

I really wanted to play with the perspective of the monster that uses a sort of wholesome bait in a rather nightmarish setting. Orchards in general have been somewhat mystical to me, so throwing a monster inside of one seemed natural from an artistic intention. This monster needs to eat, just like those visiting the orchards, so I did want some dichotomy of motivation between predator and prey. I also wanted the monster to be honestly befuddled by the apples; what could cause people to risk their lives again and again? They must taste good.