Photo by 蔡 世宏 on Unsplash

The Basement Moss by Patrick W. Marsh

The homeowners might wince knowing

a myth made an appearance

and incision along their cellar wall.

In a cut aimed at brick and soil.

A mud-light claw, glowing with emerald veins.

The capillaries of this lost

and forgotten forest king,

stirring for the only time this century.

Its antlers are bone sun spirals

above a body of ancient tree roots,

centered by an anvil chest of bark

with carved runes flickering jade.

A paragraph of poetic mysticism

no one could ever read.

Not that a human could learn it

they couldn’t dream this dialect.

The insects knew it, and they wiggled

to this godly sugar. Centipedes, ants, spiders,

and moths from their boxes, blocks, webs.

An audience in the evergreen glow of

this earthly deity with its sideways

shoulder peeking outwards.

The lead actor sneaking an

intermission glance at the grateful crowd.

The connection is brief.

It glides backwards through

the earthy portal,

leaving a melody

of moss along the rift.

Velvet flecks of verdant dreams

twinkled along the darkened slab

in bits of earthbound stardust.

Only to be sprayed and melted

by bleach from a plastic bottle

while the husband

went searching one evening

for some wine.


Bio

Patrick W. Marsh is a writer from Minneapolis, Minnesota. His work has appeared in Malefica Press, Star*Line, Carmina, Horrific Scribblings, Suburban Witchcraft, Skyway Journal, Zoetic Press, and others. He is the author of the Greenland Diaries series, a screenwriter for the 48 Hour Film Project, and co-creator of the Hidden Oaks Podcast. Though he often writes about tortured ghosts, hungry gods, and haunted castles, Patrick is a relatively nice guy. He has a dog, a wife, kids, and a very specific way he loads the dishwasher. Thank you for taking the time to read his work.

Author's note

With this poem, I really wanted to straddle the mundane and the fantastical. I wanted a somewhat boring setting that gets visited by a forest god for a brief moment. The natural world is enthused by his appearance, but the homeowners are oblivious to his presence. They only notice a little moss left behind. This represents how myth and the ordinary run so close together in how we perceive reality, and how easy it is to trivialize the miraculous.