Sighs when he hears his knees crack
and picks through old, discarded victories.
Thesus's worn skull,
that one Theban guy's shinbone.
He dozes in the afternoons
and hears footsteps
whisper behind the walls.
New would-be assassins,
with their night-sights and tear gas
and smooth plausible faces
and carbon fibre crossbows,
and some need or inadequacy
sharp enough
to carve a Minotaur-shaped
hole in their lives.
The Minotaur stops and peers
down another dark passage.
In his younger days
to his younger self
this tight, constricting labyrinth
was part of his rage.
He stormed every corridor,
wanting more.
But rage is a young man's fuel,
and besides
the labyrinth has grown
around him.
Dead-ends appear
where he expected doorways.
The labyrinth in his memory
cannot be trusted.
Once,
turning a corner, expecting
his pallet of straw,
he found a brick wall, and
a young man dressed
in black, carrying
a taser
of all things.
They both shrieked in unison
and then remembering himself
the Minotaur
lowered his head
and charged.
And now he's lost again,
hungry and wanting rest.
While echoing
around him all the while
are other footsteps.
Probably
one of those slimy little MBA shits
who wants Minotaur killing
on his CV
to prove he's original
and a risk-taker.
The Minotaur's gone too far
in the wrong direction.
His pallet could be anywhere.
So he hunkers down and sighs and his knees crack
And he thinks again of Thesus,
unspooling a reel of cotton
intentionally too short,
And of Ariadnne,
digging her nails into his back
Oh you beast,
you beast.
Loving
the sheer animal truth of him.
It was a great victory
at the time.
Thesus, son of Poseidon,
golden child of Olympus.
Now Olympus
doesn't want him.
Instead he's become a target for middle-management
The means
to an end-of-year bonus.
And so the Minotaur leans
his back up against
a brick wall which,
centuries ago,
to a younger man,
was a door,
and remembers his old foe
and can't help feeling that
between the two of them
Thesus
had the better of it
after all.