The Moon, the River, and the Lyre by Spencer Nitkey

The moon, the river, and the lyre sang together. The moon sang with light, low and yellow. The river sang with water against stone, bank, and skin. The lyre sang because Cassiopeia played it. So many boys had died at war recently that Cassiopeia could hardly believe the Aegean and all its estuaries did not lap with red waves.

Her husband, king and all that, sent many of the dead boys to their deaths. He brought many alive back home, too, which he often said with a swell of pride. Cassiopeia sang with the lyre because her sadnesses roiled in a place beyond language.

Dead boys bloodied the ocean, and her daughter, traded by her husband for a handshake, bloodied her heart. Some boy who her husband brought back from war had shaken his hand and had left on the un-red sea with her daughter. Her daughter had spent her days singing at the waves from a stone by the palace that overlooked the ocean.

“He’s a hero, that one,” her husband said. “It will be good for her to leave that stone and see the wide world with a man forged by battle.”

Cassiopeia remembered her husband before he was forged. He read poetry and pinched his nose at the taste of grapefruit, and in the morning, the sun would dance across the blonde stumble of his sleeping cheek. He would blink one eye open and run his plow-rough fingers across the nape of her neck. He’d whisper whatever the first, clear thought that passed through his mind was. Somedays he spoke of her beauty. Somedays he spoke of a fish he’d speared in the river, or an old man who’d told a lewd joke, or the rotting fruit he smelled in the air.

Cassiopeia remembered her husband before he was forged. He read poetry and pinched his nose at the taste of grapefruit, and in the morning, the sun would dance across the blonde stumble of his sleeping cheek. He would blink one eye open and run his plow-rough fingers across the nape of her neck. He’d whisper whatever the first, clear thought that passed through his mind was. Somedays he spoke of her beauty. Somedays he spoke of a fish he’d speared in the river, or an old man who’d told a lewd joke, or the rotting fruit he smelled in the air.

Then many wars and battles later, he traded away her daughter for a handshake. He told her he’d done this with a smile, so she hit him. He stumbled back, more from shock than force, and hit his head against a column. He stumbled to his knees, touched the back of his head, and brought red fingers back. His eyes fluttered then closed. Cassiopeia took his unconscious body by the feet. She dragged him to the flowing river and filled his pockets with stones. She rolled him into the river. Her husband, king and all that, sank and vanished into the blue water.

The moon, the river, and the lyre sang together. The moon sang with light. The river sang with her drowning husband. The lyre sang with Cassiopeia’s sadness and anger, neither of which had abated one bit.


Bio

Spencer Nitkey is a writer of literary, speculative, and literary speculative fiction. He lives in New Jersey, happily, and misses California, always. His writing has appeared in Apex Magazine, Fusion Fragment, Apparition Lit, and others. You can read more about him and find more of his stories on his website.

Author's note

This story is one of several I've written exploring various iterations on the Andromeda and Cassiopeia myth. Traditionally, the myth is an exploration of pride and hubris: a mother claims her daughter (or in some versions she herself) is more beautiful than even the Nereids, and as punishment for her boasting, she (and her husband, who tends to be treated as an innocent bystander to the whole thing) chain their daughter to a rock to be taken by the sea. Eventually, a brave hero rescues her from the rock and takes her back to Greece with him. Unsatisfied, the Gods punish Cassiopeia more, pinning her to the sky forever. Lost in the original story, in my view, is the love that must accompany such a relationship between mother and daughter. After all, don't we want a parent who believes we're more beautiful than even the Gods? Where is the sin, the hubris, in lifting up your child, and praising them? The grief, the loss, and the anger that must come with such a love all seem absent from the story for me. In this retelling, I wondered what a more godless vision of this story would look like. A mother grieves her daughter, taken away by a prince with the blessing of her husband. Losing someone you love seems like punishment enough, perhaps, then the stars are the anger. I really hope you enjoy this retelling.