Vulcan and Venus by LindaAnn LoSchiavo

I.

The first time he saw Venus Vulcan loved.


She was a flower, petals arching back,

Intent on showing off its pollen tease.


Without her in his life he’d be a dead sea

That’s drying up. Without her as his wife,

The god of fire suspects he will amount

To merely supervisor of the clowns.


His smithy’s flames were never this intense.

Those passions of extremity, he knows,

Have rendered subsequent existence pale,

Her image driven into him hard nailed.


II.

Rejected by his mother at his birth,

Young Vulcan learned to prize what she despised

About him most: a lack of perfect form.


All unappreciated metals shine

With application of attentiveness

From a loving smith who’s known as Juno’s son—

Without her panic of the unconvinced.


And beauty undetected, iron-bound,

Excites his sense of possibility,

Creator of the shield of Hercules,

And fatal necklace of Harmonia.


III.

But genitals are tools men use to forge

Their future with. Unused, this tool becomes

Another artist who let talent waste

By vacillating till all models died.


The author of his sorrow Vulcan’s hands—

His craftiness—could be, as what’s ignored

Inside awaits repair. By day he works

Impatient hoofs’ new shoes—for Pyrois,

Eous, Aethon, Phlegor—ordered

By a busy god, the Sun. His hammer seals

What’s pried apart by clarifying dark.


IV.

The first time he saw Venus in the sea,

He focused on her unreflective side.


Like sparks, she seemed: so dangerous to the eyes.

With specks around her, he identifies.


Perfection outlined her physique as if

Someone hung “Seek No Further” on her chest,

And Jove’s unloved lame son adored such form

That would need nothing from him to convince

The world of its tremendousness. He who

protected others—with their necklaces, arms,

Shield, scepter—finds himself ablaze, disarmed.


V.

The first time he held Venus in his arms,

This god of fire felt her stylish flesh

Was unencumbered by a conscience, not

Unlike his mother with her unused heart,

Who’d never know the worried pounding, know

His sorrow stuffed with silence and dark wind

Like a stomachache that doesn’t quit. The gods,

He knows, can’t die. And yet her busy womb

Is certainly the tomb of harmony.

His body rocks foundations of the forge,

Struck anvils baying, "Cuckold!" in his brain.


VI.

The last time he caught Venus in their room—

Another lover riding anvilled hips—

Lame Vulcan felt fenced in by fate, lovestruck.


Unloved, his heart had rooted easily,

With childishness that parented his hopes.


The goddess who is love loved him perhaps

No better than all else. Their partnership

Had seemed in ashes till she comes with news:

Their son is due—winged Cupid. He’ll create

Arrows, equipping hands too young to have

A conscience. Forger Vulcan tools revenge.


Bio

Native New Yorker and award-winner, LindaAnn LoSchiavo is a member of British Fantasy Society, HWA, SFPA, and The Dramatists Guild.

Titles published in 2024: Always Haunted: Hallowe’en Poems [Wild Ink], Apprenticed to the Night [UniVerse Press], and Felones de Se: Poems about Suicide [Ukiyoto].

Forthcoming: Cancer Courts My Mother [Prolific Pulse Press, 2025] and an E-book version of Vampire Ventures fully illustrated by Giulia Massarin.

Book Accolades earned: Elgin Award for A Route Obscure and Lonely and the Chrysalis BREW Project’s Award for Excellence & Readers' Choice Award for Always Haunted: Hallowe’en Poems and the Spotlyts Story Award from Spotlyts Magazine for Apprenticed to the Night.

Blue Sky: @ghostlyverse.bsky.social

Author's note

Vulcano * Volcano * Vulcan

My connection to Vulcan is rooted in geography and genealogy. Both my paternal and maternal grandparents inhabited volcanic landscapes—the Aeolian Islands and the slopes of Vesuvius—regions where the earth erupts in fire and fumes, lava and stone. Isola di Vulcano, the southernmost of the Aeolian archipelago, carries special significance: its very name echoes the Roman myth that this tiny island served as Vulcan's personal chimney, a forge for the god of fire.

The etymology of "volcano" springs from this island, a linguistic testament to the deep mythological roots underlying our understanding of geological forces.

Despite his dramatic potential, hard-working Vulcan remains a nearly invisible figure in contemporary poetry.

Scanning literary journals like Rattle Poetry and Poetry Magazine, I found Vulcan’s name either nonexistent or reduced to brief metaphorical mentions—a passing reference to heat, a fleeting image of flames.

His narrative neglect struck me as an opportunity. Vulcan's origin story is bittersweet: a deity of immense creative power, perpetually marginalized by his own divine family. His mother Juno's cruelty, rejecting and abusing him for his ugliness, and Venus's incessant infidelity form a complex psychological landscape as molten and unpredictable as the volcanic forges he tends.

In crafting this poem through "domestic scenes" depicted in 11-line stanzas of blank verse, I was seeking to restore Vulcan to his rightful place—not as a mere background deity, but as a nuanced, emotionally rich, relatable character. "Vulcan and Venus" attempts to excavate the inner life of mythology's most unappreciated craftsman, the divine smith whose hammer rings with both creativity and pain.